Christian Duguay's Un Sac de Billes is the second time the raving success individual novel has been passed on to the additional vast screen coming over forty years after Jacques Doillon's own particular change of the book by Joseph Jollo. On the positive side, Duguay's film is superbly shot and boasts fine displays from its two central entertainers developed just 17 and 12-years old. In any case, is for the most part an over-blown, outstanding record of a troublesome period in current French history which anomalous does not have any enthusiastic significance.
There is abundance to pull at the heartstrings. Two energetic kin constrained to battle for themselves when the German control of France and resulting misuse of Jews puts their lives in hazard. However Duguay's film sticks to a standard formula with a set cast of characters – the callous German officer, the conquer insurance contender and the odious French associate. Occasionally it about has shades of Louis Malle's Oscar winning Au Revoir Les Enfants in its viewpoint of the treatment of jews from a child's perspective yet without Malle's actual affectability for the time.
Maurice and Joseph leave their people Roman and Anna behind in Vichy France and go to the French riviera town of Nice in the free-zone to join their more prepared family Henri and Albert. The family is soon rejoined, yet before long the German occupation secludes Maurice and Joseph from their people and kin. The two face possible catch and ejection before the family can return together. Duguay has given more weight to the piece of Roman, played convincingly by Bruel and Anna, the less inducing Zylberstein, than in Jollo's one of a kind book.
This accentuates the sentiment incident on the two sides as the youths get away from the Nazi occupation. regardless, possesses from the much furthermore intriguing association between the two kin which progresses from kinfolk partnership to a more create, balanced understanding. Both Fleurial and Le Clech are uncommon, especially Le Clech who transmits a unimaginably touching irreproachability and shortcoming. Other tossing choices are disgraceful. France's unmistakable stand-up performer Kev Adams is an insurance contender who pays for his sentiments. The part is an aggregate distinction in enroll for Adams regularly found in lightweight comedies, for instance, Fiston and the colossally productive Les Profs 1 & 2.
He is out of his significance in a section which is completely undermined by his parody establishment. Duguay's last two full-length features, did well in the film world and despite it surrenders Un Sac de Billes will no vulnerability exhibit comparably compelling develop more in light of its charming story dear to French hearts than tasteful authenticity. They initially send their more seasoned children Henri and Albert, at that point it's the most youthful ones' turn – and what a completely frightening experience it ends up being. They meet a wide range of individuals – great, similar to the specialist at the Nazi facility and terrible, similar to the Nazi-identifying book shop proprietor.
Wallpaper from the movie: